I took the kids to see Wall-E this weekend, and it struck me as a surprisingly layered work for a G-rated kids movie, something for which Pixar should be congratulated. It’s also a cautionary tale, both ecologically/environmentally and for American passive consumerism. Set 700 years in the future, Earth is uninhabitable due to the amount of garbage (stacks of garbage reach as high as the skyscrapers) and humans live on an orbiting space station, waiting for Earth to come back to life. The space station itself is a Vegas-like cruise ship rendered only slightly more extreme than in reality, and the humans recline in floating lounges with TV screens in front of them, junk food in a slurpy cup easily available. In this environment, humans have become fat, weak and dull, unable to see anything around them but the screens, and isolated from each other.
Even if you don’t have young children, the message alone–done with quite of bit of subtlety–makes the movie worth seeing. Don’t miss the blending of themes from Hello Dolly!, 2001, and Brazil within the soundtrack.
NYT: The first 40 minutes or so of “Wall-E” — in which barely any dialogue is spoken, and almost no human figures appear on screen — is a cinematic poem of such wit and beauty that its darker implications may take a while to sink in. The scene is an intricately rendered city, bristling with skyscrapers but bereft of any inhabitants apart from a battered, industrious robot and his loyal cockroach sidekick. Hazy, dust-filtered sunlight illuminates a landscape of eerie, post-apocalyptic silence. This is a world without people, you might say without animation, though it teems with evidence of past life.
No comments:
Post a Comment